[…]ted me. Do you know he's got, in a way he's got thousands of pounds worth of equipment round there. It's all old and useless, but he gets hold of old cameras and puts them right again, or he's trying to do that. He's got an old Super Parvo Debrie, you know a thousand foot one. He has a Vinten Everes[…]
[…] would do it without asking you to look through the camera when he wanted something done. And...what's-his-name was another one...[Gus] […]
[…]ed in those days of course were NATKE and ETU, so they more or less governed the actual financial side of things as far as working late. The ordinary camera crew, assistants and odd people and so on, they didn't matter because they didn't have to be paid. Although I will admit we got 1/6d supper all[…]
[…]peaker 0:00 The copyright of this recording is vested in the ACTT History Project.Unknown Speaker 0:06 Jack Hillier, lighting cameraman, interviewer, Alan Lawson, recorded on the seventh of january 1988Unknown Speaker 0:19 side one iUnknown Speaker 0:25 &nbs[…]
[…]hat when I got a big wide take over the business, but I sort of got infected with some very early because a friend of mine had a nine half millimetre camera, and I look at all this holiday pictures. And then then eventually, I went to some Paul's School. And they had a wish to have a film show every[…]
[…];I did a cycling holiday just before my 14th birthday uh I bought my first camera in a little town of Bon on the River Rhine one pound thirty of white[…]
[…] end of the studio, a twelve/fifteen foot rostrum, with a camera. And he was in the foreground. And the set […]
[…] on working relations between different departments - the sound and camera departments for instance, and on the relations between the […]
[…]rough film had they?VG: I should imagine so.RF: Any further memories of BIP.VG: It was a great big barn of a place and they had the sound stages. Our cameras of course were all in little rollable booths.RF: Still, in 1932?VG: Yes, they were inside these little booths and they were pushed here and th[…]