Stan Sayer (SS)Laboratories, Visual Effects, Camera Operator (Technicolor)BECTU No. 242Interviewers: Alan Lawson (AL) Syd Wilson (SW)20 February 19921 Tape Side 100:00:00 – 00:10:00 Introductions; born in Highbury, Islington, 11 May 1917; attended Middlesex University College, Muswell Hill; las[…]
British Entertainm ent History Project Interview no. 709 - Michael Darlow - Transcript 0:00 Born Wolverhampton 1934. Father Deputy Town […]
[…]sing because he never came to rushes, he wouldn't come to rushes. He says, I don't know what I've shot now. I never will. He never looked through the camera. And he used to very often on the floor, he would turn his back to the artists and just listen to them. And he used to roll cigarette single ha[…]
[…]u did, of Ida Lupino in the witness box was it?Bernard Vorhaus: Ah you're thinking of the next film -Sidney Cole: Oh, ah...Bernard Vorhaus: The Ghost Camera.Sidney Cole: Ah.Bernard Vorhaus: Actually I mean I was very successful but you still made no money on it to speak of, as a second feature for U[…]
[…]; [04:55]I mean... I don’t mean Desmond. No, Desmond Davis was the camera... No, I’m not thinking of Desmond Davis, I’m thinking of... Desmond Davis, who lived near me, he &nbs[…]
BECTU History Project Interview with HARRY MILLER – sound, sound editorInterview Date(s): 23 October 1987, 12 September 1988Interview number: 20Interviewers: ROY FOWLER, ALAN LAWSON Tape 1, Side 1 ALAN LAWSON: This recording is copyright by the ACTT History Project. Harry Miller dub[…]
Tim Emblem-English (TE) Archive Telecine Specialist, Former BBC Broadcast Engineer Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) Date 21/05/2018 Length 01:48:52 CR: So we’re here with an interview today with Tim Emblem-English. Thank you very much for agreeing to[…]
Martin Spence 0:00 Okay, this is a British Entertainment History Project interview with Penny Woolcock. It's the 24th of April 2019. We're at Penny's home in north London.Camera's being operated by Nick Gilbey. Interviewer is Martin Spence. And the interview is copyright of the British E[…]
[…] Laboratories as well. So they organised, they sought to organisein processing, they sought to organisein shorts and documentaries, in features and they sought to organiseoverall grades as well. And it was very difficult, very hard for them in the Thirties to build an union, but […]
