Derek Williams Side 1 Glyn Jones 0:00The copyright of this recording is vested in the BECTU History Project. The name of the interviewee is Derek Williams, Writer Director. The interviewer is Glyn Jones. The date is the first of May 2002. And this is side one. Have you had an ex[…]
[…]ch spontaneously the essence of what we see." That was you about The Class. John Schlesinger: Well, I think we did, I think we had more than one camera. It wasn't something that was rigged at all. There were things that he did like passing a scrunged up ball of paper and treat it like a wounded[…]
[…] in the doghouse with Flaherty, nobody wants to know in your feature world about people who have written for documentaries, because documentaries and features don't fit and Hollywood is definitely not interested in anyone who's written documentaries, I found that out. So next time I wrote a film sco[…]
[…] Christophe Dupin[CD], camera CD [Inaudible, possibly Come on In] off camera. 00.04 ES: OK so could you just start off with […]
[…]been writing to various studios and things mainly trying to get in the camera department, which everybody wants to do. They always want to get in the camera. And I managed to one of the places I wrote to it was a small studio called Viking studios in Kensington, which I don't even know whether it st[…]
[…]bsp; Interviewer: Emma Smart (BFI) [ES]: Date 27th November 2007Other crew: Christophe Dupin[CD], cameraCD [Inaudible, possibly Come on In] off camera.00.04 ES: OK so could you just start off with some biographical details, where you were born, your education briefly to start us off.00.20 LM: […]
[…]Peter Tanner: Yes. It was very well directed by Carol Reed. Sidney Box arranged for me, I was getting fed up at not being able to do anything on features, so surreptitiously on the side he arranged for me to do 2 Warners features, one was at Riverside and the other was at Teddington.p. 15Roy Fo[…]
