Search Results for: Camera. Features

[…] end of the studio, a twelve/fifteen foot rostrum, with a camera. And he was in the foreground. And the set was […]

[…]d I stayed like that actually working it odds and sods and I was loaned out down again for the odd picture to another studio when they loaned out the camera. So there's just about to go with it. So it was a B. And then suddenly, I was focused for the very last feature film made by more Balkan at Eal[…]

[…]hrill if it goes well. It's unbeatable, I love it. DB: And there only was ever one camera on it? PB-C: Oh, one camera, absolutely, only one camera. Franc Roddam was there to ease things, if ever it [was] needed but luckily the family were just great. They accepted us, and we would just tur[…]

[…]ery good, quiet blimp. But the research department will completely sign it when the cameraman said what he wanted to change the stop from outside the camera. He wanted to zoom. And so they decided that they would go no longer down the road. Because research department were getting frustrated and cer[…]

[…]Leeman: We had Ivor Moreton, who was one of Harry's pianists, was up on a big rostrum at one end of the studio, a twelve/fifteen foot rostrum, with a camera. And he was in the foreground. And the set was a piano, and the top of the piano and the keyboard. And Harry and the girls were dancing on the […]

[…]hen and Stuart Levy at the time they were beginning.Vernon Sewell: Well I say we made a lot of - they were all either - they were made as second features but [indecipherable???]Roy Fowler: Were they a couple of 'smart cookies', Cohen and Levy?Vernon Sewell: I suppose so.Roy Fowler:&nb[…]

behp0011-winston-rider-transcript SIDE ONE.Roy Fowler[RF]: This is a recording with Wyn Rider, interviewed by Lesley Hodgson in the Elvin Room at ACTT on the 23rd of July 1987. This is side one. Please note that all contents of this recording are the copyright of the ACTT History Project.Lesley[…]

[…] to relax people when they were in front of a camera. And, to my everlasting good luck, I became Harry's assistant, […]

[…] to relax people when they were in front of a camera. And, to my everlasting good luck, I became Harry's assistant, […]

[…]nd that was the attitude which which was quite staggering to us today of course but I mean it's certainly you know, wasn't you didn't didn't handheld camera. And it was I suppose television  was the first sort of copy that technique and Tom Jones and Freewheel it and get it and get it all going[…]