[…]brella of the BFI and funded to at least a minimum extent to keepthem going, because they all had incredible supplementary value to what wewere doing centrally, and even the National Film Archive couldn’t keep all thoseballs in the air the whole time, particularly from an acquisition point of view: […]
[…]lly was the halt leading the blind you know [LAUGHTER] and a big show that had to travel, the furthest we went to was 19, oh it was with Glasgow, The Central Hotel in Glasgow which is part of the station and I’m always reminded of the story of B Lilly being booked into the Central and calling down t[…]
[…] day in the winter. And of course you had no central heating in the projection room. It was a very […]
[…]ever, ever missed a changeover but it was always this risky business for the first two changeovers of the day in the winter. And of course you had no central heating in the projection room. It was a very large projection room with a flat roof - lovely, lovely theatre really. Beautiful acoustics. As […]
[…] an Irishman, an Englishman and somebody else. Some war in Central America and discussing theology and so on. We had […]
[…] all had incredible supplementary value to what we were doing centrally, and even the National Film Archive couldn’t keep all […]
[…]t of money and as we all needed to have some leave, I went off on leave and came back into my horror found that the chief advisor commander Haynes of Central Rediffusion services, decided they didn't like the colour of the acoustic tiling, which was plain white acoustic tilings and that had them pai[…]
[…]were you of' the world outside Cambridge?Denis Forman: I was conscious, much more than most of them. I was conscious of world politicsin the sense of Central European politics and Germany and Nazis. I was not particularly consciousof the United States and the Far East but European politics did pre-o[…]
[…] I was conscious of world politics in the sense of Central European politics and Germany and Nazis. I was not […]
