Anne Hanford

[…]aid, it was a bit vaguely but I suppose compared with what had been in place before it was an improvement.SUE MALDEN:  That’s an amazing sort of challenge in a way isn’t it getting plunged in with something completely new to you, I can image, handling film as opposed to books and papers. A comp[…]

Christopher Miles

[…]some tracks  but the tracking  gets in the way of your own shot often. And I had Duggie Sl;ocombe  lighting it who was who enjoyed the challenge in a way. Unfortunately, he wasn't acceptable to film finances the condition guarantors who said he's, he's too slow. You'll never get it do[…]

Norman Swallow

[…]e shooting ratio was 1 to 1 because what you didn't use you wiped and used again. So that was cheap. It was a challenge. Dennis Foreman had given us a challenge.The Granada reason was that Granada were Monday to Friday&n[…]

Christopher Challis

[…]ther there's enough light to get an exposure and I rely on you to be honest and tell me that. Are you willing to take it on. I thought it was quite a challenge and it was quite interesting. I had a bit of a gag. I had an old exposure meter and a stuck a bit of red tape on it, Corny instead of you as[…]

Bob Jordan

[…]f them were at Bray. We also did some Hammer films like On the Buses. I did the first On the Buses. I also did Robin Hood [A Challenge for Robin Hood? DS]… I think it was made at Pinewood. I suppose the best Hammer film or the most important Hammer film was, erm, b[…]

Kent Houston

[…] ended up with a nice clean patch of carpet to strip back in on the shot. Darrol Blake  21:57  I'm pleased that you're still challenged. Well, "Darkest Night" again, I don't know, yeah,  Kent Houston  22:12  Don't know much about Darkest Night&n[…]

L P (Bill) Williams

[…]ey Giesler : And the town scenes - where were they shot?L.P. Williams : Beaconsfield. Yes. Beaconsfield New Town.Rodney Giesler : Were there a lot of challenges from the art director's point of view on that?L.P. Williams : No. No, well I'll tell you what, that I did a lot of sketches and showed them[…]

Len Runkel

[…]he dry side, you know, we'll be sort about for a couple of tents on on the matrix and optical printers. But, you know that it was, it was a hell of a challenge, and that that was a highlight, in terms of the fact that instead of being totally on top of a job that I knew inside out and nobody could t[…]
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