Jimmy Wright

[…]nbsp;of the film unit Charles Heath got to remember them all not to have a challenge to this. I didn't know where he is now. He went to last I heard&n[…]

Geoff Labram

[…]d send the director straight up the wall with frustration. So that and the ever present risk of a bad lock, were two of the excitements that kept the challenge alive. Bad lock, when interlock was was switched on on the interlock system, the Western Electric interlock system, if one had been unfortun[…]

Carol Owens

[…]ied people like you know the Royal Yacht Britannia. The Queen would hire films from this company but they also sent films out to prisons, which was a challenge because if there was anything slightly racy in the film, the risk was that the prisoners would actually cut that section out and keep it. So[…]

Julia Cave

[…] I’d worked with on ‘What’s My Line’ came to me and said what we really is somebody like you on ‘What’s My Line’ who’ll do research. Can you find the challengers for the jobs, can you find the celebrities for us?  So, I thought ok, I’ll go and do this. [long pause] So back I came and I think at[…]

James Arthur Clark

[…] there are others did it too. Was it a trauma for you. Did it affect you or did you not be intercepted as I enjoyed every minute.SPEAKER: M17I love a challenge like that. I love to take material which is not working and make it work. I made it work much better than the original script. So I was I wa[…]

Taylor Downing

[…]ith history at all it was an … observational series about the police in Nottinghamshire, something completely different and really a very, very great challenge, and then I went back to Thames as a Director. It was made clear to me that you could never go up through the system at Thames to be appoint[…]

Peter Suschitzky

[…]n with a slow stock, everything in black and white except for the actor’s faces being the only colour in the film.  That was an interesting challenge. Looking back on it today, I was probably too inexperienced to work with this director who had worked in Hollywood on some big productions a[…]

Francis Gysin

[…] group nine centuries of coal which was an early classic one. Job in coal. Challenge of coal. Britain's wealth from coal island of coal which was then finally&n[…]

Dicky Leeman

[…] didn't ask it right away. About half way through the challenge she says, "Tell me Mr so-and-so, how do you […]

Judy Ritchie

[…]ool had, you had kind of thought, you know, I want to work in, so you find yourself being treated...[06:13] How, as a Production Designer, was that a challenge then? I mean, was it, would you talk us through what kind of work... R: Can I say just as an adjunct, there were six people in my class[…]
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