Search Results for: Channel 4

[…] the control of Social Services, they gave the go ahead. Channel 4 was persuaded to fund an updated version of the […]

[…]rded live, off-air, Super-VHS copies plus a VHS for viewing purposes. And it was simply for viewing, nothing more, simply for access. For the ITV and Channel 4…. We were recording on to 1 inch tape initially and we were recording therefore a viewing copy on VHS and a master copy on one inch for pres[…]

[…], we had a usable result that we had some latitude with and working with Steve Bearman, who’s the colourist now at Silver Salt, we analysed the three channels. You could see straight away when you compared them how, just as a monochrome channel, how faded, how dropped the contrast was in the blue-ye[…]

[…]ore contained than the Second World War archive. It just is physically less of it. Some of the people – there was the Hugh Straughan series, made for Channel 4, [The First World War DS] and there was the PBS series called… The Great War: 1914-18 in England because they didn’t want it confused with t[…]

[…]ten all about the film because it was in the BFI Programme.MARTIN SHEFFIELD: Yes, they did show the entire thing, it might have been BBC Four or Channel 4 or something. I think I recorded it.NORMAN J. WARREN: Was it at the time of its transmission?MARTIN SHEFFIELD: Yes.NORMAN J. WARREN: Ah yeah[…]

[…]eaction, and the other the other item I made was about sitcoms.So it's the modern approach to sitcoms. And it was an interesting time because in 1983 Channel 4 launched and the night that 4 went on air, “The Young Ones” was on BBC and you couldn't get any more anarchic and alternative than that.So y[…]

[…]rom the network or reassembled the network and the local station, between the network and the local station, so we were all in effect part of WCBS TV channel 2 New York City and the CBS Television Network. Rodney Giesler:So you were going from coast to coast were you?Roy Fowler:No, no, no, no t[…]

[…] DRAFT Tape 1 Side AAnd I wrote a story, which I’ve still got upstairs. I don’t know why I called him Eve because I thought anything foreign over the Channel Eve might be Hungarian, I didn’t know one word.SF: [Laughter].I didn’t know any Hungarian names, and wrote this thing about what it must be li[…]

[…]of producers, particularly in television, are concerned about budgets. In the incredible freelance jobs that we do the one and a quarter million that Channel 4 put up for Four Weddings and a Funeral, which was an horrendous budget, like seventeen million I think, originally. Got its money back, of c[…]