[…] very I mean, it was impossible thing for Tony and I to get together in three weeks is what he asked us to do. And I remember editing it down editing channel and down. And I was so exhausted, I came out each evening and they were running A Hard Day's Night in the nearby cinema. Two nights running ju[…]
[…], you see. What had happened, these fellas were filling up the Jerry cans and just throwing them down. Now there's a pipeline coming right across the channel and round to Normandy and right up, you know, and the Jerry cans were - well there weren't enough Jerry cans by that time. It did tell you in […]
[…]with the film side of things so I dealt with that. So, yeah, I was involved in everything from live transmissions of feature films, with two telecine channels back-to-back doing automatic changeovers every 20 minutes or so between reels, and play-ins to the studios, and that sort of things. One oper[…]
[…]nean passages was very, very similar to the and of much more use, as it turns out, actually, because a lot of interesting material,Speaker 2 2:14 what the Germans did was to go around it, really, in a sense, invading Holland.Speaker 3 2:18 Well, that's why something so they w[…]
[…] proofread this and/or other interviews. If you want to help, please contact BEHP Secretary, sue.malden@btinternet.com.Unknown Speaker 0:04 The copyright of this recording is vested in the ACTT History Project.Unknown Speaker 0:10 Lionel Baynes, lighting cameraman, inte[…]
[…] all, some shots We in upside down, some archive material, so it must have been one of the most unfortunate premieres ever.I started at Elstree in 1934. Around 1934, 1935 pictures were shot very quickly. So in 18 months I edited 5 films as well as partially editing a couple of others. After that, at[…]
[…] - accepted his invitation, which was that I should run it. And so in, in 1933 actually, I joined them to develop this unit, which really began in 1934. And er - hence the 50th anniversary. Er - but we began, we went immediately to the er - air travel and the er - some kind of attempt to show the im[…]
[…]han I might have been. Anyway, she said: “Your daughter, she should get into theStudio. In fact, I would love her to be in my department.”(TIME 04.42) I said: “Oh no, no, I am working for the War effort in an office of a factory. I am the only person in this office, do all this work and, y[…]
[…]film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Side one.[00:34]Who shall we start with? Shall we start with Sarah Erulkar?Well, you realise I’m from India, and I came over here when I was about five, when l[…]
