[…]cause Virgilio was clapper as well. John Sharples was a great boffin as you had to be. There was the company radio station that handled ail the telex channels and so on, so you had some mechanics there. You got to know who in the company could fix things. John was a marvellous technician. I've known[…]
The copyright is vested in the BECTU History Project. Time Code 00:00:00:00 to 00:45:46:00Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and interview laws on this recording is the copyright of this recording is vested in the ACTT history project. Side one. Ozzy.SP[…]
[…]had three heads plus the projector. In other words, we could handle four tracks. Some of this was done was making up loops, obviously, you'd have one channel where you didn't want actual synchronisation, just background, you'd have a loop going round and round reproducing.Stephen Peet 35:44 &n[…]
[…] that wasn't for me. I eventually put "light" up to Channel 4 to their science editor, who wasn't a scientist. […]
[…]ovely sunny weather in a calm, calm river. And halfway through the sequence, the sun went in. The wind came up and the Thames looked like the English Channel. And for three days, the unit set on their backsides doing nothing. And I began to get nervous even in all right. Well, they didn't. They didn[…]
[…]nons during the war actually, yes, yes. And in fact we went to Wales in, just before I went to North London we went to Wales to escape the blitz in 1940.Where were you, where were you living then?We lived in Hendon, most of my childhood in fact. And in fact we, we lived, but I’vegot no memories[…]
[…]ore contained than the Second World War archive. It just is physically less of it. Some of the people – there was the Hugh Straughan series, made for Channel 4, [The First World War DS] and there was the PBS series called… The Great War: 1914-18 in England because they didn’t want it confused with t[…]
[…] all these ideas and notions through a kind of a channel which is me, and it comes out of the […]
[…]Norman Spencer, Motion Picture producer interviewed by Teddy Darvis. The date is the 22nd of June 1999. This is side one, and the file number is 453.Teddy Darvis 0:29 Right, Norman, tell us about your parents and your childhood. And when you first went saw a movie and where he was, […]
[…] another and a figurative ‘other’, had a female origin, whether channeled through a character or a voiceover onscreen, or a […]
