Gordon McCallum

[…] had the sound truck outside the stage, or a permanent channel, depending on where you worked. At Pinewood we had […]

Maurice Carter

[…]ermaybe makes more sense, that says FranceMaurice Carter: Yes that was Betty Box's picture in France and it was largely shot firstof all on the cross-Channel steamer, The story is an outing of darts club to Boulogne andit was shot mainly on the boat and then in Boulogne itselfRoy Fowler: All locatio[…]

Manny Yospa

[…] Welwyn and joined Gainsborough and that was about 1946, ' 47. Charles Drazin: So that was after the Ostrers had […]

Charles Wilder

[…] got there safe, and that was the end of that little episode. And then, as I say, we went overseas on D-78 and I can remember standing in the English channel because there were submarines about and everything went deathly hush and all the engines on the ships turned off you know, and then we got the[…]

Gordon McCallum

[…]Well I was a film-loader, as I said, at B & D and if you want me to talk about B & D at all, I could, but of course in those days we had main channels with great, huge machines, built you would think in a shipyard, you know, heavy castings and all the rest of it, and er...Alan Lawson : This […]

John Schlesinger

[…]get a star for it before we get the money. BBC have asked me to do something and they've turned down something that I want to do which may be done by Channel 4 but I don't know yet. So I'm dealing in terms Norman Swallow: This is a film you want to do John Schlesinger: Umm. It's very, beca[…]

Margaret Thomson

[…]other died when I was five, my brother was three, two. And we were brought up by various aunts, both in New Zealand and in Australia. And when I was 14, my father found somewhere where we could live with him, and he could be looked after, medically, because he was still very ill. And he died three y[…]

Alan Masson

[…]r system was introduced in 1951 and it consisted of the camera film, Eastmancolor negative and - we love these four-digit codes in Kodak [laughs] – 5247 was the original one. And then in order to make multiple release prints from that, you had to make a duplicate negative because you don’t want to r[…]

Derek Williams

[…]r best didn't didn't go down well on television. And in any case, they were rather neglected by television and, and refused, generally refused by the channels. So you couldn't say that we had a significant outlet on television at all. So that drove us that there remains what was called non theatrica[…]

Peggy Gick

[…] Director and the Producer. BECTU History Project - Interview No. 403 [Copyright BECTU] Transcription Date: 2002-10-02 Interview Date: 1997-04-22 Interviewer: […]
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