Rob Woodward

[…]n this because at the time, when the new Board came in, quite a lot of us on the shop floor thought at that point this could go very bad, sort of the Channel Four's background here, the model there is Publisher/Contractor and you're a Publisher/Producer, this could mean the way in which we can do bu[…]

Bernard Ponsonby

[…]C if you wanted to get personality-run? R: I think that probably, I mean I don't think that the viewer cared a great deal about who was on which channel. David Scott, on the other hand, when he was Head of News, liked to get the better panellists and all this kind of stuff. Fiona Ross was quite[…]

David Croft

[…]ake  2:54  And what age were you when your toe first appeared on stage?David Croft  2:57  I think I was about four. Yes, four. Yeah.Darrol Blake  3:02  And your parents then suggested you go on the stage.David Croft  3:05 &nb[…]

Gerry Weinbren

[…]d Paris air shows because we were already doing it for the Americans we might have done a day for them.SPEAKER: M7But I mean a lot of SEO I work with channel through the foreigner.SPEAKER: M5Oh yeah. Yes I mean then the CSI stuff was never shown in this country it was. I mean it was for for Latin Am[…]

John Schlesinger

[…]get a star for it before we get the money. BBC have asked me to do something and they've turned down something that I want to do which may be done by Channel 4 but I don't know yet. So I'm dealing in terms Norman Swallow: This is a film you want to do John Schlesinger: Umm. It's very, beca[…]

Robert Scott

[…]which was a lot of money even then! But that's because the kit was so expensive! The Vision Mixer alone was three hundred thousand, I think, and each channel that we did, the additional effects device was over a hundred thousand. So a million was easy to spend! I: Whose money was it? Who was fu[…]
Scroll to Top