[…]ur opinion of films made for television.Reggie Beck: Some of them are very good. Some of them are exceptionally good.Wyn Ryder: Some of the Channel 4 ones particularly.Reggie Beck: Or the spy oner Tinker Tailer, excellent, riveting. The Price being re-shown is very good. Some ver[…]
[…] history project interview with Julie Harris (2000). [12] On the Channel Four television documentary Fifties Features, broadcast in September 1986. [13] […]
[…]rded live, off-air, Super-VHS copies plus a VHS for viewing purposes. And it was simply for viewing, nothing more, simply for access. For the ITV and Channel 4…. We were recording on to 1 inch tape initially and we were recording therefore a viewing copy on VHS and a master copy on one inch for pres[…]
[…]really changing, the way television is changing from a, if you like, the old model of showing the programmes when it is convenient for the television channel to On Demand so was that - take me back to the beginning. R: So I wasn't really involved at the inception of the STV Player. We came in o[…]
[…]ten all about the film because it was in the BFI Programme.MARTIN SHEFFIELD: Yes, they did show the entire thing, it might have been BBC Four or Channel 4 or something. I think I recorded it.NORMAN J. WARREN: Was it at the time of its transmission?MARTIN SHEFFIELD: Yes.NORMAN J. WARREN: Ah yeah[…]
[…]hat. I was really the first people in line. Which. Was. In its infancy I was losing a lot of people because. The BBC was babies here and they had one channel in those days the ITV or something else. So they were they were news you know to people because ITV were. Probably seeing all sorts of things […]
[…], I think so.Jim Shields: Because in actual fact, when - you can get a bit uptight, you know in the theatre, not getting the noise you want, then the channel goes and...Bill Welch: All sorts!Jim Shields: ...the bloody props aren't there and everything else, you know, you can get really uptight. But […]
