[…] at the time and I'd already authorised a twenty -four channel mixing table, and I went to John's engineer and […]
[…] because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School. […]
[…] had the sound truck outside the stage, or a permanent channel, depending on where you worked. At Pinewood we had […]
[…] invested a lot in art. And they got money from Channel 4 to make a film, and they got, Mike […]
[…] , thank god for me, this was a breakthrough, that Channel 4 was starting in 1982 and I saw an, […]
[…] change. The other thing that happened was the coming of Channel Four, which opened up new possibilities as the other ones […]
[…] them down. Now there's a pipeline coming right across the channel and round to Normandy and right up, you know, […]
[…] isolated. The only thing we did have was this terrible channel CNN and that channel, I think, did more to […]
[…] have thought that "The Insomniac" could have been acquired by Channel Four. Rodney Giesler: They weren't interested then. John Legard: I […]
[…] suggested to them that we put up an idea to Channel 4, which was just starting, and asked them, Channel […]