[…]ome to the Monseigneur Theatre at Marble Arch and there’ll be a few people on, relating, there will be airmen, there will be various people, swam the channel, people like that and you’ll be the newsboy and you’ll be interviewed by Roy Rich or Elizabeth Cowell and you will relate your vicissitudes”. […]
[…]s invariably finished with a close-up of the pack, not some glamorous girl.Rodney Giesler: What are your feelings about the absolute proliferation of channels now, and satellite programmes and so on?Dicky Leeman: Well, it's going to be tough I think on sportsmen unless they can afford satellite and […]
[…]e Monty’s Double was good.AL In those days you had sound tracks didn’t you?GH You had sound tracks and you had big….you took a thing called a Q channel, a Western Electric. Most of the studio were RCA but our only mobile sound track was in fact Western.AL They were enormous things.GH Yes[…]
[…]ng back as quickly as possible. And. Over occupied France coming down. Over the channel. We had a fighter escort in landing at. Lyneham in Wiltshire and then I&[…]
[…]was then a third sleeping partner, the accountant, Arthur Morrison. And so I went there in April 77 and took over mixing. Now they had a very old, 16 channel West Rex valve desk, mixing console with only three equalizers. So if you wanted to change something, you had to unpatch it from one patch it […]
[…]e hospice had all sorts of cupboards and magazine racks and a darkroom and big cable hooks in cupboards. And on there, we would have a Western rx 500 channel, which was an optical channel that had had a magnetic head put in it. And instead of where the magazine went, there were two spool holders. An[…]
[…] and honours and things like that. Have you had any [inaudible]?Well, I’m a Fellow of the Royal College of Art, and, I’ve got a BAFTA.For?A Channel 4 film Cutting Edge: Casualties.Ah, OK. And your parents did what? It’s sort of relevant.[laughs] My father was in the Army, and, Me[…]
[…] perhaps a forerunner of what was to come later.Norman Swallow: And you still kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School.Lindsay Anderson: That's right, Clementine. Clementine was the film which way back in about 48, […]
[…]tographic record is converted least it was in Pinewood. The location recording up until that time had always been conducted on what we call 500 channels, Western electric 500 channels of which we had three. And these were a scaled down version of the more solid studio recorder the 600 channel.[…]
[…] because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School. […]
