Search Results for: Chevalier de l\'Ordre National des Arts et Lettres 1996

[…] with social, economic and aesthetic challenges rooted in its own national circumstances. For Woodfall, class was always central, not just […]

[…] where attitudes were more civilised. By this time Dallas was developing a broader interest in filmmaking, and came under the […]

[…] homelessness and helped launch the charity Shelter; and the Basil Dearden / Michael Relph 1961 film Victim helped pave the […]

[…] shrine, festooned with flowers and jars of marmalade. There is definitely a ‘national treasure’ here somewhere, but I’m not entirely […]

[…] of The Boy Friend, focusing in particular on the production design and costume design that gave it its particular 1920s/1960s […]

[…] a woman with a past, forced to choose between a decent but unexciting husband and family, and a glamorous but […]

[…] (www.history.ac.uk) This article provides an excellent introduction to Oral History, from Developments in Oral History Theory, Ethics and Legal Understanding to Technical […]

[…] Cinema and Television Veterans Brunel University London Cinema and Television History Research Institute (CATHI), De Montfort University De Montfort University  IAMHIST colour project London University (Goldsmiths College and Birkbeck College) University of East […]

This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]