[…]is your creation you talk about him as an independent person.SPEAKER: M8No.SPEAKER: M10In fact I had a nice card from I had it of I was first to do a film so planes and station a few weeks ago and the film company had plotted it all out and that was your I was sent over then the first class lounge. […]
[…]pening title sequence which was extremely complex as far as I remember, with all kinds of frames that moved and cameras that moved. You weren't using film, it was far too expensiveNorman Swallow: It was all liveDavid Attenborough: It was all absolutely live and it was all very stylish and it was a g[…]
[…]d it was sometime before they got out. In fact one of the staff with John Mowlens became rather famous, also in thefilm industry eventually, was Ron Haig, he was an electrician on Mowlens. […]
[…] frames that moved and cameras that moved. You weren't using film, it was far too expensive Norman Swallow: It was […]
[…]of recognisable memory and then went on with a touch of that. I mean, I was too young to actually regard Hope and Glory as a as a an autobiographical film, but I was seven at the end of the war. So it was very enjoyable, very enjoyable. Stephen Peet 4:06 So by the time the[…]
[…]back up to this hut, which had a couple of holes cut in it. And they would fix the screen at the other end of the heart. And then they would beam the film for the week, with the projector outside on the back of this truck. And that truck used to go to to other places as well, it didn't just come to […]
[…] the director of a film, he'd probably made for the Children's Film Foundation, I think to an Odeon and I was amazed […]
[…] ...that they were experimenting with?Sidney Cole: And you didn't know anything about the early days of sound when sound was on record rather than on film.Jack Rockett: No, I knew it was on record but I didn't know the details. No, I wasn't involved in.Sidney Cole: You weren't involved in the techni[…]
