[…]e did better work. But if you've got the example that went quicker to the, to the IRB, and so therefore, I started going to cinema as I used to go to films twice a week, twice a day, every week. So if Sunday's were three times a day, and that was ready, I got so that was the beginning. That was how […]
[…]a century. I know  you started off in the camera department became a cameraman. And that you ended up as the producer of those specialised  films 50 years is quite time, how did it all begin?John Wiles  0:43  Well, I suppose it began really with my, as a kid I had an interest in […]
[…]yes, 2 years foundation and 2 years intermediate and then you get your NDD so it's a 4 years course. 0:04:29.9 MIKE: So how did you get into the film and television industry? 0:04:32.0 JOY: Well, I didn't want to be directed to education and teachers because that's what they used to do... […]
[…]fter the other, 'till I got this big shed.Rodney Giesler: How do you mean, you opened up?Larry Allen: Well I had projectors and I was making animated films back in them days, as a boy.Rodney Giesler: Yeah, but where did you get the money to buy the projectors?Larry Allen: Well actually the projector[…]
[…]elor: He was the cameraman, he was gorgeous. And in fact the only one of that bunch who did anything afterwards, apart from me.Kay Mander: Were these films for cinema?Joy Batchelor: Yes they were, but they only had a short life and a gay one. He had very good connections, this bloke, and our film - […]
[…]e.malden@btinternet.com.Alan Lawson  0:07  the copyright of this recording is vested in the back to history project. Noreen Ackland feature film editor, wife of Dick best an editor on file number eight. Interviewer Alan Lawson, recorded on the 16th of June 1994. Side onewell, knowing first[…]
[…]?Philip Leacock: Bedales.Stephen Peet: So, did you do, then, at school, any specialised training, or - put it this way, why did you decide to go into films? Was it at somebody's suggestion, or somebody you met?Philip Leacock: Um, It really started possibly because they had a very nice darkroom at th[…]
[…]nds a week. And for about two or three weeks, or a month, they would take this money off you and they'd teach you what they could as regards making a film up and joining the two reels together, and making joins. Because you didn't have the automatic joins in those days, everything had to be done wit[…]
