Search Results for: Children's Film Foundation

[…] Highgate Ponds. Kay Mander: Oh yes. Was that for the Children's Film Foundation? Joy Batchelor: Mm, mm. Kay Mander: And that was, […]

[…]elor: He was the cameraman, he was gorgeous. And in fact the only one of that bunch who did anything afterwards, apart from me.Kay Mander: Were these films for cinema?Joy Batchelor: Yes they were, but they only had a short life and a gay one. He had very good connections, this bloke, and our film - […]

[…]yes, 2 years foundation and 2 years intermediate and then you get your NDD so it's a 4 years course. 0:04:29.9 MIKE: So how did you get into the film and television industry? 0:04:32.0 JOY: Well, I didn't want to be directed to education and teachers because that's what they used to do... […]

[…]e did better work. But if you've got the example that went quicker to the, to the IRB, and so therefore, I started going to cinema as I used to go to films twice a week, twice a day, every week. So if Sunday's were three times a day, and that was ready, I got so that was the beginning. That was how […]

[…] a bit of shorthand typing. Away. Can you remember when you started in the film industry. Well yes I can because some it was an accident really in that.&nb[…]

[…]ated transcription service, supplied by John Harwood and edited by David Sharp in 2019. The numbers in square brackets are timecodes. [Filming began outside]Interviewer: Jimmie King. David Woodward on camera.[TAPE 1] Jimmie King [JK]: If you’d like to introduce yourself Bob.[…]

[…]?Philip Leacock: Bedales.Stephen Peet: So, did you do, then, at school, any specialised training, or - put it this way, why did you decide to go into films? Was it at somebody's suggestion, or somebody you met?Philip Leacock: Um, It really started possibly because they had a very nice darkroom at th[…]

[…] didn't close it? No. And then you say you made Children's Film Foundation...? Andy Worker: Yeah. Roy Fowler: Yeah, that must have […]