[…] where you find an anamorphic lens to have a look -highlight">-highlight">at it now, I don’t know. But we were a […]
[…] Tom ’ and I mean nobody ever talked about it -highlight">-highlight">at dinner parties , they didn’t talk about television -highlight">-highlight">at […]
[…] going to kick us out. Now wh-highlight">at we didn't know -highlight">-highlight">at the time was th-highlight">at John knew th-highlight">at Harold Mirisch […]
[…] old, and the Light Programme a mere 22. Their middle -aged successors, Radios 1, 2 and 4, have lasted much […]
[…] perhaps today, with the sheer volume of audio-highlight">-visual content coming -highlight">-highlight">at us from all directions, it can’t happen. But once […]
[…] archival footage and interviews we conducted. For those who weren’t -highlight">-highlight">at the meeting here is a link. Do let us […]
[…] each in its own way kept the story moving along -highlight">-highlight">at a brisk canter. When it was known th-highlight">at Kubrick […]
[…] and the Bill Douglas Centre for the History of Cinema -highlight">-highlight">at Exeter University. Accessing the Collection The Collection is available online, here […]
[…] recordings are stored in the BFI with a back-highlight">-up copy -highlight">-highlight">at BECTU’s Head Office. The BFI arranges access to the […]
Kieron Webb (KW) Conserv-highlight">-highlight">-highlight">ation Manager (British Film Institute) Interviewer: Paul Frith (PF) D-highlight">-highlight">-highlight">ate 30/01/2019 Length 00:27:16 00:00:00PF: OK, so this is an interview with Kieron Webb -highlight">-highlight">-highlight">at the BFI, Berkhamsted, on 30 January 2019. So if you can start Kieron just by introducing yo[…]