[…]escapism of the masses. Having been born and brought up in Edinburgh I can probably claim to have visited nearly all of the operating cinemas in that city on many occasions before, in my senior secondary school years, starting to contemplate actually working in the industry. In fact the excellent bo[…]
[…] of reference, have always or generally appealed to them. I've had hellish arguments in the fronts of shop fronts while doing industrial films in one city or another but it is generally resolved with an amicable understanding that I'm on their side, which I think I am. I hope so.Colin Moffat: […]
[…]the early days it was just out in the country as a sort of bubbling tar pits I think and some oil company owned it originally and they left it to the city and they found a lot of bones in the early mammals of the prehistoric period.SPEAKER: M1And what sort of start you off about dinosaurs that was k[…]
[…] Basically I made this little film in Winchester . The city fathers in Winchester said ‘Why aren’t we on TV?’ […]
[…] heard that they wanted a Loading Boy at er Sound City...John Stafford Productions. So I rang up, and the Cameraman's […]
[…]uld...I did two films there and er...then I had to er...filming was...coming to the close and er...I heard that they wanted a Loading Boy at er Sound City...John Stafford Productions. So I rang up, and the Cameraman's name was Jimmy Wilson. So, I rang Mr Wilson up and I said...so he said, "Yes! Ok, […]
[…]t took us up to the Grammys. For our holiday I was only four and going up the fairground came to the village. And of course the fairground had electricity, which always fascinated me because we had no electric light in oil in where we lived in 1928. And when I went up to this village and went up to […]
[…] He had TB. He was a rice merchant in the City and the family were hop factors, I think. They […]
[…] He had TB. He was a rice merchant in the City and the family were hop factors, I think. They […]
