[…]arly visited. I had my own close encounter with one of the duo, a six-foot plus blonde with very heavy face and eye make-up whose choice of dress was colourful to say the least. This “might-have-been easily-mistaken-for-an Amazonian warrior” had approached me while I was helping dispense drinks from[…]
[…] I'd met at the Federation had taken a job as a company secretary with it with a film production company and grazing Road which was called industrial colour films to 16 mill house employing about six people. So he said look I think there might be a job for you as an apprentice or a gopher or whateve[…]
[…]p;40:05 Anyway, and what they did, David worked in worked on a number of his films and of course, we were working in 16. When once we went into colour British transport, this is leaping ahead a bit. But it was john Taylor, who said to Edgar, this chap is brilliant. And it reverses toffee nosed[…]
[…]tart as with most of these interviews at the very start of your life. RS: Right. MW: Because I think in all cases we like to know about the colour, flavour, texture and so on, and background of peoples’ careers. So tell us where you were born, where you grew up, and something about your ed[…]
[…]. And I can remember very vividly in about 1936 being taken to the Navy Days at Chatham, and seeing those huge great steel ships alongside. The magic colours of navy blue and gold of the uniforms, and I can remember the huge George III crest above the gateway into the dockyard. Anyhow, from there an[…]
[…]call my own father at all, not even in the in the haziest way. And I always remember my stepfather as my father. And he is a man who has fairly colourful past he was. I have a letter written by the captain of the Windjammer which he was serving as third mate at the time, saying that he'd been […]
[…]ort of reputation of an up and coming chap and I think we screened Every Day Except Christmas for him and afterwards Nic Roeg said "Pity it wasn’t in colour. " and that was the end of that.I didn’t know who to have as a cameraman honestly. I didn’t remember how we got hold of Denys Coop but I think […]
[…]kids seem to understand Humphrey there was seem to work together terribly well. We had a we had a feature operator once on on this mute button skeets coloured that never go escaped. Very sweet guys get Kelly's on is a real thin film business person. And he did something else that happens. I'll skip […]
[…]part in the interview today. So just to start can I ask how your interests in films and photography developed and what were your first experiences of colour photography?BP: Well it all started when a friend of mine had a camera, a movie camera, and I thought this was really interesting and I asked w[…]
[…]ve one whatever the only way you could ever find anything about any of that I would have thought and it may not get you anywhere would be go to Metro colour who about were taken over who took over Kays labs or whether there were any records from Kays because Kays would have processed all of it[…]
