Adam Fullarton [Start of Recording] [00:20] I2: I think I am ready. R: Right. OK. I2: That's fine. I think we are there. I: Right! Totally informal. Relaxed. Adam Fullarton, when did you start with STV? R: I think I started in 1962. I: Right. This interviewer,[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]at Harrow was going to stop making motion picture film and move to France; Brian’s job was to maintain quality while this transition happened; John Croft (Motion Picture) told BD to come and see Arthur Branson at the BBC who he got on with very well; BD realised he wanted to work with clients; start[…]
[…]sp; Photographer’s agency15.38 Entering film industry16.05 Luck of Americans leaving, and video making18.13 Alan Parker; ‘Melody’20.00 Docum[…]
[…] Tape 100:00:00 – 00:08:20 PB shows his membership card for BECTU to the camera; KW introduces PB, LZ and CF; PB started at Denham in 1937 as an office boy; moved into dispatch; joined the Territorials before the war when he was called up; left the army in 1943; wanted to work in the studios ra[…]
[…]2.24Norman’s Film Services - First job at 16 as projectionist. ‘Salute to the British Worker’. Problems with projecting film. Given the sack.02.25Fan of films as boy.02.50Carlton Hill Studios. Clapper Boy and Focus Puller. Sacked after six months for wrongly reloading Debrie camera.04.00John Paddy C[…]
The copyright of this interview lies with the British Entertainment History ProjectCornel Lucas – Transcribed by Linda Marchant28/09/2005Copyright interview – BECTU history project - Interview number 543.Recording 15.05 (AP – anonymous person audience)Interviewer: Cornel we’re here at BECTU he[…]
