Kieron Webb

[…]everybody who is handling and copying from, whether that’s photographically or digitally, the film collections here including restoration projects. I often say it’s everything we, everything the BFI chooses to do. It’s even sort of, more precisely defined, everything the archive decides to do with t[…]

Cecil Buckland

Glen Michael [Start of Recording] [00:00] R: What's the intro? How are you going to do it? I: I'll do a quick ID. Right, interview with Glen Michael. Interviewer, John Frame. Date of interview - 20 May 2017. Right then! Glad you could get along. How did you first get into Scottis[…]

Chris Lycett

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Bill Welch

[…]nterviewee: Bill Welch  Jim Shields: We're at The Gate Recording Theatre at Elstree with Bill Welch who was the props man there - it may be of interest.Bill Welch: I came down from the Gate Studio, you know the old Gate Studio, from down the far end...Jim Shields: YesBill Welch: Then they […]

Keith Nunn

[…]k goodness by my mother and her.Partner.We lived in hindhead in Surrey. For a few years in a rented home. And I went to school and hated every minute of it simply because of course I left the school so I went to first and had all my friends. And then out of the blue one weekend I went to visit and s[…]

Hazel Adair

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Paul de Burgh

[…] Tape 100:00:00 – 00:08:20 PB shows his membership card for BECTU to the camera; KW introduces PB, LZ and CF; PB started at Denham in 1937 as an office boy; moved into dispatch; joined the Territorials before the war when he was called up; left the army in 1943; wanted to work in the studios ra[…]

Esther Rantzen

Interview with Esther Rantzen: Transcript of Sample ClipEsther Rantzen: When I joined Radio as a studio manager making sound effects, playing gramophone records, both for music and effects,. It was just after the great days of B.B.C. Radio, which I imagine would have been in the Fifti[…]
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