[…]dicated that the audience were interested in familiar music in Tchaikovsky, Delibes and so on. They could manage that in a way they couldn’t manage a contemporary score and abstract ballet. In fact my decisions were made for me. I have always had a wide interest in all kinds of dance, particularly i[…]
[…] and hard-of-hearing, and come packaged in full-front cases which contain exclusive booklets featuring newly commissioned essays and contemporary materials. Page 5
[…]hen was, mm, responsible for some brilliant BBC television programmes, and Norman of course, was equally again involved in putting history, mm, often contemporary history but nevertheless it was history on, on to television. I think he did that at Granada. Norman also did one of the defin[…]
[…]. (Time 11:58) I was shaking like a leaf. I don’t know why, but I was. MIKE DICK: Tell me a bit about how you first got into films then. PETE MURRAY: Well, that was basically because an agent called Herbert de Leon saw me in this[…]
