[…]e from nylon, say to wool was vast, in the colour retention in the processRoy Fowler: Did it you have to do extensive testsMaurice Carter: Yes, every costume had to be tested first. You could never be quite sure,you hadn't got some sort of weave into it, a mixture of weaves that would change thecolo[…]
[…]d used so I suggest we've got a little set bits of the sets. We got a stand in the Vec has made calls for Marcel Veser? they have to design the costumes and we got some of the costumes we did tests. When we did this and. I I started to put. er fog filters on cameras. And I put mist in the set […]
Jocelyn Rickards (JR)Costume DesignerBECTU No.493Interviewer: Roy Fowler (RF)Date 7-8/3/2001 & 5/4/20017 Tapes 7-8/3/2001Side 100:00:00 – 00:17:35 Born 1924, in Melbourne; when she was 11 her family moved to Sydney; at 14 she went to art school where she studied for 6 years; she came from a[…]
INTERVIEW WITH JULIE HARRIS (COSTUME DESIGNER) The copyright of this recording is vested in the BECTU History Project.Interviewer: Roy LansfordRecorded on the 31st August 2000. RL: Right then Julie, if we could start from the very beginning, from when you were born.JH: I was born in 1921, which[…]
[…]precarious.R. F. What would you do? Would you design.C. D. I designed and painted like a scenic artist. Well I was a scenic artist on the stage.R. F. Costumes as well?C. D. No. Not at that stage. Here and there whenever the freelance work. . . . . it is a bit hazy in that particular period but it wa[…]
[…] History project the name of the interviewee is award winning costume designer Julie Harris. The name of the interviewer Roy Lansford […]
[…] it. Richard and Elizabeth Elizabeth insists on having her own costume designer because Elizabeth by then is beginning to put a […]
