[…] budget, the NFC contracts, red ribbons and green ribbons and red seals and all that business.Roy Fowler 6:08 What was the NFCs? NFF sees criterion for accepting a project. Do you know? I mean, what did they make known to you, what they were looking for, and what satisfiedSpeaker 1 […]
[…] I got the train to Isleworth Studios, and er...It was Criterion Films - Marcel Hellman - and the Producer was […]
[…]s were invented which are the dye precursors in the film. So, there are now some very, very long-lived dyes but not all. Dye stability isn’t the only criterion in forming a dye in the film. Colour reproduction, grain, sharpness and all that stuff comes in as well. And you have to hope that good dye […]
[…] the back of that there was a whole explosion of interest, this time in the States with several more festival screenings and then it was picked up by Criterion for a theatrical release and a DVD release, and I came on board because Anne had by then left IWM because Stuart wanted to come back to IWM […]
[…]d me Dad and he said "Er, right. Ok. So...er...on the District Line to Hounslow..." I...I think I got the train to Isleworth Studios, and er...It was Criterion Films - Marcel Hellman - and the Producer was Douglas Fairbanks Jnr., and the Cameraman was Victor Armenise, and the Operator was Cedric Wil[…]
