[…]Krampser[?] I think his name was, I don't know...Anyway, errm...he had this colour. He was processing colour, and they shot it in the studio...in the Crown Theatre...Alan Lawson: Oh yes?Cyril Page: The Crown Theatre in Wardour Street...Alan Lawson: Yes, just across the road...Cyril Page: Anyway, we […]
[…]d some preparatory work on a couple of things that didn't, that didn't go ahead. So I really knew most of them. No, John had by that time had started Crown Film Unit and I went in there straight away. Yes, immediately. Down at Beaconsfield.Stephen Peet: That was what, about '46 or something of that […]
[…]was Margaret I went with and Liam Cloar because Liam was one of the producers, you know, and his wife, and Cyril Franko was the director who worked atCrown at the time, and it was him who invited us all to his father’s party. So I went there, ofcourse everybody was there, Shelley, Peter Finch and Pe[…]
[…] half a dozen said, "Right," and it was half a crown. We had two and sixpence to join. [Break in […]
[…]or whoever, suggesting that it would make rather more sense for the public, instead of selling off the Forestry Commission's land, we simply sold the crown jewels, after all nobody ever gets to see the real ones. So what would it matter and it would make rather more money. I think that's an excellen[…]
[…]e was trying to form, which eventually became the ACT - Association of Cinema Technicians. And at least half a dozen said, "Right," and it was half a crown. We had two and sixpence to join. [Break in recording] And so we paid our half a crown. And if I remember rightly, I think it was at least a yea[…]
[…]wson 26:51 it had thatGerry Fisher 26:52 kernel blood there Yeah, mate kernel blood real kernel all about the stealing of the crown jewels you know, Alan J's he was the second and he was he was a nice man. ip lipscombe was the script reducer script reimagined. He wrote it I t[…]
