Roger Bernard Newbold Smither

[…]r how much space you were going to need to define the type of soundtrack, and so on. All very carefully worked out and some fairly rococo methods for data input as well. We would fill out forms in handwriting which then went to a bureau which types them into OCR [Optical Character Recognition. DS] f[…]

Jim Whittell

[…]cted via a broadband link to a central location.  In the central location are three servers, three computers that will carry enormous amounts of data. 00:08:05        One server is connected to the distributors.  One server is connected to advertising […]

Rodney Giesler

[…]de of the unit I was with was the National Coal Board Technical Film Unit. And we did all the technical films. "Mining Review" in my time was made by DATA, which was a co-operative founded by Donald years before and Francis Gysin was the producer on "Mining Review" and Peter Pickering was one of the[…]

Gerry Fisher

[…]shooting. The following day. We came in and Bob day was terrified of God, I must say so fast because I was really bothered by less than lose. And Bob data. And quarter came on. morning, everybody. We have a totally different situation. He said, What lens do you have on? So before he could say anythi[…]

Peter de Normanville

[…]as where I wanted to be. And I was thrown out of innumerable offices by innumerable, spotty faced office boys or telephone girls, until I walked into Data, and quite extraordinary was shown to introduce the Donald Alexander was very charming, very sympathetic, but simply can't afford the luxury of t[…]

Leslie Norman

[…]nknown Speaker  16:19  days they went toUnknown Speaker  16:29  bat for me Of course, we useUnknown Speaker  16:34  the data FIFOLeslie Norman  16:38  When did you first use a movieUnknown Speaker  16:43  withLeslie Norman  16:47  the moon […]
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