[…]good analogue preservation they leave it as a digital restoration. They also have a massive digital archiving system, that … if you can archive, that data might be a better archive raw medium than the film itself – and that’s a big if.00:12:40PF: OK. So, kind of going on from there, we’re talking ab[…]
[…]obiles - LiveView, the Jerrow, WMTs - there's about six manufacturers that now do these things that bond together your sim cards to produce 4 megabit data stream which takes a really decent quality live picture over the internet with very low latency. It's great. And you can do it with your phone no[…]
[…]at a nice gesture to do. Lovely, yeah, tear to the eye when I saw it go the first time anyway, spent three weeks in the middle of a field, give me my data, posthumous credit. And then the following year, I could give myself a credit. So yes, 2006 April, that's when I went freelance. And that must ha[…]
[…]in the other theatre, doing all the dialogue and add in the music and so forth. And then the prefixes are all come together and be finalised in Mac's data. So but they'd never use the TOS as a, as a unit before they were always doing separate films, that theatre one theatre two. And I think I was th[…]
[…]I was, I was quite happy with the director's cut.Speaker 1  1:01:29  I was annoyed in principle that we were asked to remove quite a lot of data, the nuns frenzy. But I felt that what was left was suggestive enough of what was going on, I'm getting quite often, you hint at something and th[…]
[…]y cumbersome process. Also, what was worst, you didn’t have a joint catalogue. So, if someone asked for a programme then there was no one database, if you like, of what was available. So, I then began what seemed like a hundred years’ war with the BBC Engineers.  And that too[…]
[…]cameras are definitely studio cameras, and other ones are, you know, better in the field, but it's interesting. Times as pros and cons, the amount of data getting is just ridiculous, you know, terabytes and terabytes in a day, and very critical about choosing big critical decisions need to get made […]
[…]t into the freelance world during one of the one of the troughs so I took the offer from Cyril and went into the dubbing theatre. At that time we had data two was recording on six tracks stereo I think had two consoles front console just for panning and playing back six track pre mixes and the rear […]
[…]fingers to the presiding officer and said, you know, my, my knuckles are ready, rather large and he produced two Horn al Ganson(?) says, we're at the data you guys had to travel. I mean, I'm alright you see. So I was A1. So then I decided that I would finally try for a commission, which I did. And I[…]
[…]; 3:35That is so yes. That was my first professional film. Glyn Jones 3:39That was the worldwide as a worldwide Yes. Well, I think all the data when a company's wants to have a foothold. And on top, Derek Williams 3:46yes, yes, produced by Jimmy Carr, both of them. Glyn Jo[…]
