[…]and in between us, there used to be camera tripods and other bits and pieces. So that was quite enjoyable. This part of the studio was connected with David Hamilton and Lord Nelson. Since the last the the studios have gone now and pulled out, but the front part of the building is a preservation orde[…]
[…]nd. I suppose I should ask what you thought of the commercials that were going on the air in those early days. I Some were directed by what you know, David Lean Well, yes, andKeith Ewart  27:15  then your stock machine. And I'll tell you about a few of those people. I never looked over my […]
[…]t of Shropshire and he liked the story. It somehow – it was made in the wrong way. Because of financial reasons it had to be made in partnership with David Selznick and because of that we had to use Jennifer. I like both Jennifer and David Selznick very much indeed but I don't think they were right […]
[…]g in high-definition or 2k, you can really appreciate how good the original photography actually was. So we’d do that many times. Some of the classic David Attenborough series, Life on Earth and the like, which everybody has been so used to seeing the rather well-worn prints that were made[…]
[…]ct, the essenceof the sixty's and Jean Shrimpton and Dick Fontaine was producing it. And he went andfilmed a good a lot of Jean Shrimpton footage and David Bailey in New York and lovelystuff brought it back with the Maysles brothers and they shot everything that moved youremember they were the first[…]
[…] his name. And they all went on absolutely, said to Huw, you must be bad trying to shoot backstage at the Theatre Royal, Drury Lane Alan Lawson: David Prosser John Schlesinger: No, it wasn't David Prosser. If you mentioned a few names of cameramen. A young guy, youngish he'd already shot a[…]
