[…] and it was a great time. Fondly remembered, those times. [15:28]I: So how many of you were in the Film Library at the time? R: At the time David Cargill, the person I replaced, there was four of us altogether. There was actually two Film Libraries at STV when I joined. Bearing in mind tha[…]
INTERVIEW NO. 684 – INTERVIEWEE - PETE MURRAY Date 10th May 2016 INTERVIEWER – MIKE DICKCAMERA DAVID SMITHTranscriber – Linda Hall-Shaw MIKE DICK: The copyright of this recording is vested in the British Entertainment History Project. The name of the interviewee is P[…]
[…]actually, because I thought… I really did think he was taking the mick. So, he said, “Leave it with me.” And he spoke to a guy called Jim Davidson who was then Head of Variety Department, and Jim Davidson spoke to somebody and about a week later, I had a memo back offering me an attachme[…]
[…]peaker 44:59 can we forget IfUnknown Speaker 45:01 I work with Kevin Brown on Tim Simon's sorry, can we start laughing again, David, what's his name? David? Crockett.Speaker 2 45:15 Good. Soft again. I worked on Tim silence for about a year with David Gill and Kev[…]
[…]of cabaret series with Ian Carmichael in it and others. And, in those days too,, we used to do things and we used to get music and lyrics written and David Croft and Cyril Ornadel used to write for those.Mm.And there is a name, David Croft.Yes, mm.So...Indeed.Famous and successful ever, you know, I […]
[…] or famineMaurice Carter: We made, for instance not necessarily all the films of that period hadwar connotations. For instance we made Snowbound with David Macdonald directing, hewas killed, during the war, but I'm pretty sure that was made during that period. The otherone was Night Train To Munich […]
[…] they designed the sets they could design the production, which is to a certain extent true - to a certain extent, but not to this extent! And this - David Rawnsley had this idea (which to me was quite frankly, to say the least, not acceptable), that it was easier to put the camera, which was on cas[…]
[…]es barred, showing exactly what happened, if the Allies were at fault then they showed it, not propaganda, Time style but very authentic, so they got David Lean to direct it, this was when I worked with David. He was working for Cineguild at the time, his team, he was doing one of the Dickens films […]
