Colin Flight (CF) Laboratories (Kodak and Rank/Deluxe) Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) Date: 25/01/2018 Total Length: 02:02:49 CR: Thank you Colin for inviting us to your home to do this interview today. We’re very, very pleased to be here. I’m just[…]
[…]an? Now Rank also did. They adopted the use of Eastmancolor print, so that they used the tri-pack print film rather than the Technicolor process. And DeLuxe who were the biggest single rivals… colour by DeLuxe, I didn’t mention that earlier, but colour by Deluxe, again was a branding process. But co[…]
[…] Mann, Pat Norrish, Jean Timson, Joan Wilson Archival Footage Rank/ Deluxe still images kindly provided by Alan Brazier; Patterns of […]
[…]to you about in terms of the project. Obviously a number of films were branded differently, particularly during the ‘60s and ‘70s, we had Metrocolor, Deluxe colour, and we know that that was Eastmancolor negative being developed by, for example, MGM and Fox. Was there any, from your experience, was […]
[…] [Ioan Allen] from Dolby labs based in San Francisco and the committee was about a dozen of us from Dolby, Kodak, I think Fuji, Technicolor and Deluxe and so on. And NATO - the National Association of Theatre Owners, not the military guys - and basically we sort of hassled all the details of t[…]
