[…] Yospa: Oh yes I think they wanted to concentrate on Denham more. Charles Drazin: Yes. Manny Yospa: And you know […]
[…] he had, yes, he had. Roy Fowler: The studio was Denham, which - maybe he was working for other studios? […]
[…] and you're coming along to the next studio. Was that Denham? Or did you go...? Pat Jackson: No, then we […]
[…] and you're coming along to the next studio. Was that Denham? Or did you go...? Pat Jackson: No, then we […]
[…] Eric Cross: Years, I can't remember, until I went to Denham. Arthur Graham: Which was when? Eric Cross: The beginning […]
[…]what’s it called? The Woman in Question with Jean Kent. Then from there we went on to do The Browning Version and then we went to Denham and did Robin Hood with Disney, and that was the first colour picture I worked on. And funnily enough I’ve still got some of Stephen […]
[…]ney was spent on the infrastructure. The laboratory would be well-decorated, things like aspects of the laboratory would be very good. When I went to Denham, for Ranks, there was many parts of the building that were quite derelict and you thought this was…it was quite a culture shock because I’d com[…]
[…] were there.Manny Yospa: Ah yes, hmm.Charles Drazin: ...and then the Ostrers went off and...Manny Yospa: Oh yes I think they wanted to concentrate on Denham more.Charles Drazin: Yes.Manny Yospa: And you know this is the first of the sort of shedding of the...Charles Drazin: So was it that he thought[…]