[…]South African he was, he was the other operator and Walker, Bob Walker.Alan Lawson: Yes.Leonard Harris: Bob Walker, and then Bob went to - he went to Denham I think, he went somewhere I know. And Gordon Lang who'd been focussing with the other chap I just mentioned, he took over, became the third op[…]
[…] teamed up with Charles Laughton.John Legard: That was at Elstree was it?Hugh Stewart: That was at Elstree, yes.John Legard: And the MGM ones were at Denham?Hugh Stewart: The MGM's were at Denham, yes. It wasn't a particularly satisfactory arrangement, because Eric had Robert Hamer as his cutter and[…]
[…]s interesting, because we just do happen to have someone who can help you, who is an ex student. He was referring, of course, to Watty A W Watkins at Denham. So I was sent down there. And I spent nine weeks in Denham in the sound department. But he was there when they got there. Which year was about[…]
[…]t have a car or anything, then it used to be a trolley bus that used to run from Putney straight to Hammersmith. WhatSpeaker 1 7:06 about Denham? When you went out to Denham? Well, that was very difficult,Speaker 2 7:11 trying to remember how we used to get there. You'd have […]
[…]ished the picture, and then we went over to New York for the American premiere, with Yo. We got very good reviews.RF: Where did you do the interiors? Denham? Pinewood?VG: Pinewood.RF: Of course, Denham would be closed by thenVG: I don’t know, I think it was closed by then. It was a shame. I never wo[…]
[…]ich only bell I 20 minutes. So that was right. So my my parents all subsidized me for the first year, and then after that, I applied for a picture at Denham,Speaker 3 9:40 which was divorce of Lady X, the quarter picture, the quarter picture, which Tim wheelon directed, and that was cut […]
[…]me rifle range.I worked on a series of interesting films, perhaps the most outstanding was working with Leslie Howard on "Pimpernel Smith' in 1941 at Denham. Leslie Howard had a great sense of style. He was starring, producing and directing. He was a Very pleasant man to work with. He was also very […]
[…]rking hours; FY talks about working with Jack Buchanan and Tom Walls; not a great deal of location work in those days; shooting Victoria the Great in Denham Village; FY discusses location and studio filming for 60 Glorious Years.00:27:10 – 00:31:25 Newman-Sinclair cameras; B&D used Mitchell came[…]
