[…]l tell you what I will do, I will write to my friend Mr AW Watkins who is in charge of sound with Korda and they are going to open this new studio at Denham in 1936.So he said, ‘I will contact Mr Watkins and you can go and see him. He will no doubt see you.’ So I went and had an interview with him. […]
[…]ld have thought with Asquith it would have been a real ...Reggie Beck: I never got close to Asquith.Wyn Ryder: I was working next to you in Denham Labs when you were working on Henry V, you must have lots of stories about that with Gordon Hales helping you.Reggie Beck: I thought […]
[…]in life in general that a word of encouragement does it but I was thrilled to bits about that. I was at Gainsborough Studios, BIP, which was Elstree, Denham because I did the dances and a lot of 6 the movement for The Thief Of Baghdad, which is when Korda first knew me.And the first time I met […]
[…]to much more than I'd ever thought of earning as an as an assistant. And this was at Nettlefolds at Walton Reginald, this was a feature film,Reginald Denham was directing Reginald Denham Denham spelt like the studio is and Charles Hosse H O S S E I think I'm in right but Charles Hosse he made after […]
[…] 2:03:14 because of the monopoly, the number of people who could represent Technicolor as against the number of people who could represent Denham. So if we wanted something, we got it. I mean, you went to an annual general meeting or a laboratory committee or whatever, moved second throug[…]
[…]e I was demobbed from the Army Film Unit,people were getting released early so I did write to Arthur Rank againand said I knew they were very busy at Denham, could he get me an earlyrelease and was there anything going at Denham. That did lead to a veryshort meeting with him at their offices in Mayf[…]
[…] During a career, which stretched from 1936, when he joined Denham Studios as a 17-year-old sound apprentice, to 1988, he […]
