[…]en to Sydney's and then left and joined ITN and all that sort of thing. What about the earlier generation in the camera departments that Pinewood and Denham and Noel, the ones at Pinewood?Unknown Speaker 18:51 Bert easy, he was in charge of the camera department at Pinewood, and then he […]
[…]put in to their own specifications; CFS were unique until Universal came a long much later; they handled a lot of 16mm neg made from a 35mm original; Denham went into 16mm but Technicolor didn’t for many years; CFS processed all of Technicolor’s 16mm material until the early-80s; when Technicolor wa[…]
[…]oke up in total disorder.I’ll tell you one time when I embarrassed myself and everybody. They had anaccountant, and I can’t think of his name at Denham who, who ultimately they, he got pushed out with fiddling or something or other...[OI] Mahler?But he had a wooden leg.[OI] Oh yes.And he was th[…]
[…] Gunn; Dave Davies got to a stage where he was working with every print manager at every major distributor –United Artists, Columbia, Warner, General Film; because Technicolor was a secret process, nobody was allowed into the laboratory; one department could not go into another; he built up a rappor[…]
