[…] another ACT man called Red Law, was in charge of that theatre and I used to work with him and other technicians like Bob Jones and Paddy Cunningham, Dick Langford. We all worked in this theatre in turns and the music stage was adjacent. The music stage was where we'd made Talking Feet all those yea[…]
[…]ture was made but it wasn't successful.SC : That's where you met John Cleese and that led you toCC : And many years later, I think when we were doing Dick Turpintogether, John rang up Paul Knight, and said is he moribund or alive, is he capable and can he walk. So Paul gave me a clean bill of mental[…]
[…]eans of supplementing their income.Roy Fowler: Did the - what kind of film was being made there?Eddie Dryhurst: They varied, you know they might do a Dickens story like The Old Curiosity Shop or something, and then they might make a story set in Ireland by an author like the late Alan Burn [?could i[…]
[…]cally everything else, all the finances were Shell, and Shell arranged the cutting rooms and Shell chose the editor, Pat Holmes on the early one, and Dick Marden, Richard Marden, he now does features, he'd been working via Film Centre for Shell in the Far East Unit and he came onto me via Shell .AL:[…]
[…]  Film Editor       Transcrip t 648 Richard ( Dick) Pull BBC TV documen tary ,  adv ertising […]
[…] Hackson had been in the stage p lay of Moby Dick in London: he played =shmael; and he wouldn’t come […]
[…] fact that you're... you create a position whereby any Tom, Dick and Harry that wants to, suddenly wakes up in […]
[…] subject, the essence of the sixty's and Jean Shrimpton and Dick Fontaine was producing it. And he went and filmed […]
[…] in Cairo, and so I managed to get through to Dick, my fiancé, and said, ‘Shall I? Shall I come?’, […]
[…] him and other technicians like Bob Jones and Paddy Cunningham, Dick Langford. We all worked in this theatre in turns […]
