[…]did all the work. And I say random or we'll see her that age, taking complete control of these unruly girls. She was mounters. That was invitation to award. And that's where I first got to know Douglas Fairbanks could not leave it on film, but he was came down that time. And then I used to get hired[…]
[…]m and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview no: 202 Interviewee: Elisabeth Furse Interviewer: Roy FowlerNo of tapes 2 Duration: 163:02NB:[…]
[…]land and that’s where I gotmy first job, at Gainsborough Studios, as studio manager’s secretary.1: You just sort of went there and, you know, applied for a job and...?Yes. I was looking for a job and I saw the Gainsborough lady on the roof. I had just seen James Mason in The Wicked Lady, so I w[…]
[…], you know, he really couldn't stand the cinema, on principle. But he had certain films he loved to go and see again and again with Harry Bower in it for example. He didn't like the films and when I went into the films he was absolutely furious.SC: What education had you had?EC: I never had any educ[…]
[…]m and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History ProjectInterview no: 181Interviewee: Nancy ThomasInterviewer: Norman Swallow/Alan Lawson [NB: Identities not cl[…]
[…]e and the sports shoe and it got the you know the Oscar of the annual award that year. That had never been done before. Peter Demick and I just tour&n[…]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
