Search Results for: Dilys Powell award for outstanding contribution to cinema 2006

[…]la to see it and to take my son, Tony there, but I didn't live there.Sydney Samuelson: And where did you come to from Guatemala?Erica Masters: I came for a time to Hamburg and then I was put into a sort of institute for girls in Switzerland, where I spent about ten years going to school and living t[…]

[…]fter the beginning of the war. My father was an artist, by the time of the outbreak of war, a very successful artist, but he had been a territorial before the war. And he was called up slightly before the outbreak in August 1939. So my mother was on her own and I was born in the house of an uncle of[…]

[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]

[…]and it seemed as though - [chuckles] she told me that she was born in Carnaby Street and her father had a tailor's workshop, although that was long before my time, it was a coincidence. But anyway my mother had to just work day and night, because we had three children. And when I - instead of carryi[…]

[…] permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.BECTU History Project Interview no: 340 Interviewee: Jan […]

[…] really art directors film or designers films. Not many. No. No. And you know it's sad. It's like the Oscars. How can room with a view get the design award which was all made on location. You know and yet by the same token there were films being made with fantastic sets.SPEAKER: M34You know and you […]

[…]tras were not paid but were entered into raffles throughout the filming day, with the final prize being a new car; DW talks about winning the Academy Award and commercial director Dom McPherson; working with Sydney Pollack on Out of Africa and lighting Robert Redford; myths surrounding flattering li[…]