[…] who afterwards became an agent and Alex Bryce, a Scotch director. I was still in my digs but we used […]
[…]thrown out at some point, including the minute books of the Aberdeen picture Palaces from the founding in 1912. All handwritten, telling you what the directors were thinking and doing. And then there was the Queen's rooms, cinema Syndicate, which was the company that had the Queen's and Aberdeen and[…]
[…] anyway,Unknown Speaker 12:19 the one famous pictureSpeaker 3 12:20 that was shorted in the in the south of England, Cornwall director that was quite next to Kin, that's right, so I just did some second unit work on that I never as Early days. But then, anyway, then, then, yo[…]
[…]ly unqualified. However, I did get an interview. I don't know quite how- I didn't get the job - but Franklin invited me, Noble Frankland, who was the director at the time wrote me a letter afterwards because everything went through the Civil Service Commission at the time so my letter of rejection c[…]
[…]EThis recording, is vested in the ACTT [Association of Cinematograph and Television Technicians] history project. Jack Gold, film and television director, interviewers, Norman Swallow and Alan Lawson, recorded on the 27th February, 1990, side 1. NS Going to kick off Alan? AL Um, right[…]
[…]ork on the floor. There was a short cable run to the mixer, sound mixer, sitting as near as possible to the set, able to be talked to directly by the director and instead of being 'the voice of God', became one of the crew!Alan Lawson : [laughs.]Gordon McCallum : And things gradually became lighter,[…]
[…] Arthur Graham, Rodney Giesler Interviewee: Sidney Cole [Sidney Cole, producer, director, editor, ACTT pioneer, ACTT activist.] Tape 1 Side 1 […]
[…]lled into focus accordingly.[01:07:04:750] And, as I said earlier, I was very fortunate to have a very loyal cameraman and I suppose a director as well that put up with me because as I say the first half of the picture was out of focus. The second half I seemed to get the idea of how […]
[…] they need someone in the cuttingroom at Elstree. I'd never heard of the cutting room. I'd heard ofediting but I always thought editing was where the director, I'd read alot of books by Pudovkin and people and they'd all been sitting therewith film round their neck or in their hand and I thought the[…]