Search Results for: Director of Technical Operations. Archival film scanning and restoration.

[…]in those days. And the whole thing was shot in, I think, five days. But what this necessitated was working practically till midnight every night, the director, guy called Red Davis American. He used to be asleep behind the set half the time this was going on. And of course, if you worked after half […]

[…]ker 2  14:21  the well there was yes. I mean, you know, Misha, you know, wrote music to a number of films that Harold French are well known director Adam and Eve Lin was one that comes right mainly to mind. And he remained a good friend and a very funny man Harold was. He liked his drink, […]

[…]at was when the AKS Film Production Unit started, in 1942 and Freddie Young was there as the senior cameraman of course and Carol Reed was there as a director, and lots of other people, I can't remember their names at the moment but it'll come. And Freddie was there as the chief cameraman and I went[…]

[…]ying. But it went down all right, and that was fine Rodney Giesler  24:57Tell me how you actually went around. This is your first film as a director. How did you go about making it? I mean, did Ram Gopal put on a performance for you? And then you worked out in film terms, how you were goin[…]

[…]e was no musical event at the Hall at all.JS: Go on, I want to find out about how people get educated musically.RA: After that, I wanted to be a film director and I think it was Gaumont British offered a course for £100 where you could be an apprentice and I put this to my father and he refused to a[…]

BECTU History Project Interview with ROY FOWLER – producer, director, writerInterview Date(s):13 June 2000Interview number:479Interviewers: Rodney Giesler Side 1Rodney Giesler:This is an interview with Roy Fowler recorded by Rodney Giesler on the 13 June 2000 for the BECTU oral history arc[…]

[…]an artist, and I think I I could be a good painter if I tried, found a good sketch and that sort of thing, I found that useful in in dealing with art directors and so on, to be able to sketch out ideas and all that sort of thing. Otherwise, no, there was no. I was a sort of black sheep because my fa[…]

[…]Sidney Cole: Yes, so...he had a, kind of, extra parent in you and your mother?Tilly Day: Oh yes, he was a dear!Sidney Cole: What other directors... did you ever work with David Lean?Tilly Day: No, I knew him very well. I knew him as a cutter.Sidney Cole: But I know David has[…]

[…] in continuity, Because he was a very, sort of, careful director himself. Tilly Day: And, you know, I suddenly thought […]