[…]ss, Stoll Studios, Cricklewood". So I got on the tram with my portfolio under my arm, went to Stoll Studios, where I met Clifford Pember, who was art director to Herbert Wilcox. He was a well-known stage designer - he'd designed a number of stage productions in New York and a number in London as wel[…]
[…] [0:13:45] Er, yeah, yeah, they paid my expenses and I just signed on and that was a really good experience. And from that an American film director came in one day, erm ... called 7 Victor Schonfeld, and he said that he’d come over from New York he was making a film about animal[…]
[…] interview is with James Gilbert interviewed by John Taylor with possible interruptions by Stephen Peet. James Gilbert has mainly been a producer and director for television and the date is 5 March 1990, File No 130.SIDE 1, TAPE 1John Taylor: Just start at the beginning. When were you born and where[…]
[…]nknown Speaker 1:23:23 it was taken over again by the Americans in the 60s. Was it something like that? What was the name of the managing director that we had originallyUnknown Speaker 1:23:33 happy? No, happy was just, he was about, he was in the control at one time. And the[…]
[…] also a linkman, a good bridge between myself and the director if there was a ·bit of friction over how […]
Author: Rebecca Harrison, (School of Art, Media & America Studies, University of East Anglia) In December 1940, S G Rayment, the editor of […]
Muriel Box ( director, producer, screenwriter) 22/9/1905 - 18/5/1991 by admin — last modified Jul 28, 2008 04:21 PM BIOGRAPHY: […]
[…] and everything like this you see. And there was the director - of course it was a silent film, obviously […]
[…]y well that if I stayed with him, I would not get a chance to become one of these mysterious things was a production assistant, which was then led me director if I stayed with him, because he would not be allowed that kind of establishment. Can I just say something a little bit earlier, I had put in[…]
