Penny Woolcock

[…]now, looking at the BBC, and so on, you know, and in those times very, very difficult to get into TV, you had to have a union ticket. And most of the directors who were working at that time came through something called a TAPs scheme, they got first class degrees at Oxford, or Cambridge, went into t[…]

Hugh Stewart

[…]l set to jazz music! [Laughs] All said with a dead straight face, so I liked him very much! And he said to me, "There's a film being made by a German director called Wilhelm Tiele who directed some films in Germany...this was the time when Gaumont British and UFA were getting together. And we were, […]

Tom Peacock

[…] and In Which We Serve (1942). Colleagues mentioned include Art Director Carmen Dillon and NATKE officials Tom O’Brien and Frank […]

Carol Owens

[…]grammes to work on. And then my first film as full Assistant when I was made up was a film called “Public School” and the Editor was Paul Carter, the Director was Jonathan Gili and Paul won the BAFTA Craft Award for “Public School” and was was kind enough to share his prize with me. So that was that[…]

Yvonne Littlewood

[…]the hostel I lived, in Grosvenor Square and I met in the same year, a small diversion, was Roger Chase.Mm.Latterly, Controller of Personnel and, and, Director of Personnel, only retired this year. And Fred Viner.Mm.Who was quite a well-known OB producer. A nice man called, I've forgotten his name no[…]

Karel Reisz

Alan Lawson:00.00The copyright of this recording is vested in the ACTT History Project,  Karel Reisz, film director.Interviewer Norman Swallow, recorded 17 April 1991 SIDE 1, Norman Swallow:0.23  Where and […]
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