[…]u got the job." Yay! Mum, Bobby, we're not going. "Can you come to St. Christopher's place tonight for a Japanese meal and meet the producers and the director". And that was the beginning of The Mini Mob. I'll stop there. Okay, so you want to ask me something else? Madeline Smith 28:[…]
[…] were then IBA, called us and said "would you join them" and we joined them...Alan Sapper : They invited you...Lew Grade : So Val became the managing director, Val Parnell that is, I became the deputy managing director. And I suggested that Prince Littler, who owned the Moss Stoll group, become the […]
[…]rful person.Roy Fowler : Right.Ella Mallett : He went to Gainsborough.Roy Fowler : Yes.Ella Mallett : After a break.Roy Fowler : He was their Musical Director for a long time was he not?Ella Mallett : Yes he was. Very clever. But they all were. Terry Siskin[?] was dead. But, he had a heart attack an[…]
[…] G-B I and Realist.Kitty Wood : Well I wanted to leave G-B I as soon as the war was over, but I was in the middle of a lengthy Naval film and I - the director virtually blackmailed me into staying. And I wasn't able to go at a time when it would have been advantageous for me to go and work as an ass[…]
[…]rn?Yes I was, I was born in 1912 in New York and I came over to England in... Well, Iwas eleven months old actually. My father was the first American director to be sent to England and he came over to work in the old Walton on Thames studios.Oh. What was his name?Larry Trimble.Larry Trimble?And he, […]
[…] he just loved telling stories and he’d been a good director himself I believe. I hadn’t, mm… Now was this […]
[…] them faded, and one more recent print that we looked at with him but I, you know, I think he’d want to make alterations, you know, he’s that kind of director that he would at it as producing something now, I guess.PF: Is that ever an issue? Because, with people wanting to go back and create somethi[…]
[…] transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the […]
[…]ught was one of the most, oh, best man of drama I’ve ever met, he was saddled really with a staff of producers, they were called then, we’d call them directors now, who were all on the staff [Laughter] and so he could never bring in new people, newer people. And all this had to change and so when, a[…]
