Harry Manley

[…]’s 16mm material until the early-80s; when Technicolor wanted to enter the 16mm market, they thought they could buy CFS when Bill Ingram was managing director of Technicolor – it didn’t lead to anything; in the 1960s CFS installed a sound recording facility in the basement of a new property adjacent[…]

Margaret Dale

[…]r ballet.NS: Did Mrs Capon produce or direct it? Who?MD: She directed it. I don’t recall it.  She was a producer. That was the title. The title ‘director’ didn’t exist. The duties were not split. If you were a producer, you directed it. The same in the theatre in this country. If you were a pro[…]

Roger Davis

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Stanley W Sayer

[…]ree-strip Technicolor; SS is proud of his travelling matte work on the Star Wars trilogy, Return to Oz and Dune; SS had to work very closely with the director or 2nd Unit director; SS ensured that he viewed the rushes so his work would match; SS explains the techniques employed for blue screen matte[…]

Lesley Gogarty

[…] is Lesley Gogarty, but for much of my career I was Leslie Reed, and people know me as that really. And my job title is a film and television casting director for supporting artists, and I also cover. I'd have covered photographic work, music videos and training films.Ray Pascoe  0:47  And[…]
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