[…] (MD at Denham) in optical printing; optical printing B&W, mostly dissolves, fades, titles; PB discusses fading between night and day scenes; the director of the film would occasionally come in – most discussions would happened with the assembly editor, or the editor; Ealing had a technical mana[…]
[…]]Mike Hodges 17:22 No, I have to give that to miss for a minute. And I'll tell you, so anyway, I got this job. Alan Dell was the managing director, the disc jockey, right, ran it. And who's the guy who owned it? He was an infamous film producer, whose name escapes me, Rodney Giesler[…]
[…]en't the sort of requirements in those days. One of the advantages of having to do that to the tracks is there was nothing left for the editor or the director. To start altering. That was the way it was. Nowadays the last thing you do is you your dialogue because it's magnetic it doesn't need to sen[…]
