[…]ed at the time that he would have said politically aware if he happened to have thought of it at the moment, but what he meant clearly was the I must diverse my future documentary programmes from direct political content. Now, of course I argued about that I said, "David, I'm not er I have never bee[…]
[…]uble check everything you do. Never take any for granted. Just check it again to make certain is correct. So I can see, maybe I see at the end of the production. I hope we can so. Anyhow, I managed to do that, and there was a very exciting start, I think, because having worked with beginning, the gr[…]
[…]really knew nothing. I did actually apply for a job in 1938, to Alexander Korda and had a very nice letter from somebody called David Cunningham, the production manager at London Film Studios, who interviewed me and said, yes, they might be prepared to take me on as a trainee assistant editor at a s[…]
[…]endent film sectorMike Dick 27:16 the next phase. The other thing was quite interesting. You've answered all my questions. There's a film production course you did that was later? That later? Okay, yeah, that wasSpeaker 1 27:29 later, yeah, I did that. I worked after uni. I t[…]
[…]as good time good time because right at the time it was 50 58.SPEAKER: M258 right. Of course were going great guns at the time in terms of their film production and distribution. And of course they had the clout the films I had Genevieve and doctor the house but they were also distributing Universal[…]
[…]. Our paths would cross again during British Film Year, of which much more at the appropriate juncture, which in the North East would provide lots of diverse activities that Geoff and all the other local Managers really appreciated being a part of. The Classic Low Fell, like much of the Classic oper[…]
[…]r as he and I was concerned, of doing this picture in Manchester, was a difficult picture, the Rosman Johns thing so on. And I introduced Tony Keyes, Production Manager. And Michael came up there. I did a whole, did the rewrite where every, almost every damn thing, Noel Roberts was casting. And, you[…]
[…]d that. Except for maybe once or twice when she sort of doubted that I had sort of had been behaving myself. Most of the time she she appreciated the diverse. I was workingJohn Taylor 3:15 all the time. And he knows a lot depended on the wife didn't really I mean, that being, you know, s[…]
[…]ort of think about this, so I used to, I used to apply for these jobs. There were all sorts of things in television and there were, you'd see jobs in production, I fancied that so I used to apply, and I never got anything, not anything.[15:12]And, by the way, one other interesting, small sideline, i[…]
