[…]r, he’s dead, a fella called John Morris was an editor and a fella called Bill Rowe was an editor. Now that is not Bill Rowe who (no, no)became er an eminent sound supervisor at Elstree. And the fellow in charge of the library’s name was John O’Kelly and he then went with the library when it moved t[…]
[…] Zealand director, was he?Tilly Day: Yes. He was the director of 'You must get Married' [actually, A. Leslie Pearce]Sidney Cole: Hmm. That reminds me, have you been abroad at all during the course of - what locations abroad have you been on? You mentioned, just previously, going to North A[…]
[…] in that England every regarded Shellmex and BP very much as a provincial company which it was in many ways. One of the motor racing films we had a premiere at Shellmex House, which gave very good parties, and Shellmex and BP put on a commercial show of their own for some new petrol and Arthur was f[…]
[…]how to impress people like, the famous man who died recently, Orson Welles.Wyn Ryder: They were all done at Denham?Reggie Beck: No Elstree, EMIp.7Wyn Ryder: Did you have a favourite studio?Reggie Beck: Denham.Wyn Ryder: Elstree worst of all?Reggie Beck: No Walton on Tha[…]
[…] he was a strange man, hunched back, deformed and he had an immense enthusiasm for German cinema and insofar as BIP is concerned he was very much the eminence grise. He, the managing director was a man called John Court Ackleby Thorpe and I don't think he was very interested in filmmaking particular[…]
[…] to Hemdale. Became managing director. Then had an offer from EMI. Moved there with secretary Anne Boyle. Ran EMI UK […]
[…] Askew: Yeah. But this is not solely the attitude with EMI.. Jim Shields: Oh no, no.[Indecipherable] Maurice Askew: You know, […]
[…] in Elstree. Sidney Cole: Oh MGM - not MGM - EMI... Carmen Dillon: Not EMI, another one. Unidentified Sound Recordist: […]
[…] That was a wonderful sound because it was the old EMI, EMI tape. Yes. Yvonne Littlewood DRAFT. Tape 2 Side […]
