[…]xed music there….that was a BBC mixer. It was an amalgam of different things, and some basic tape machines of the day. We had a couple of EMIs. Later on he got two very good Ampex machines which had had won from the Ministry of Defence and they had converted these machines I should[…]
[…]lass through the door just to stop all the noise and all that sort of thing. But Armand had invented his own Pilotone system and they used a portable EMI reel-to-reel recorder, which was the sort of chunky, about eighteen inches long, chunky dark greenquarter inch recorder, and he added another head[…]
[…] made, and the whole process and at that time, they were still processing their Kodachrome. So we saw the filming was much as you could in the semi dark, the processes that went on and I found it fascinating. I thought, well, this is really something I would like to do when I leave school. Sch[…]
[…] off. Anyway, my father left the army as an unemployed subaltern and after the First World War, and eventually got a job to my mother's employer was seminal gluckstein. In gluckstein, relatives firm Joe Lyons, which he didn't like, and we stayed until he eventually retired at 71 or two. All years fr[…]
[…]ort of commentary to um...Lionel Strutt: To a Russian film and he just did the English voice.Maurice Askew: That's right. That's right, hmm. And Ted reminds me - simply about physical dimensions - of the time Gregory Ratoff was in here.Jim Shields: Oh yes.Maurice Askew: Doing the one about King Faru[…]
[…]s there.Sidney Cole: Yes.Carmen Dillon: but I much. I didn't like the other one, you know, the smaller one in Elstree.Sidney Cole: Oh MGM - not MGM - EMI...Carmen Dillon: Not EMI, another one.Unidentified Sound Recordist: Rock Studios?Carmen Dillon: What?Sidney Cole: British National?Carmen Dillon: […]
